看到这个题目，想必大家一定一脸懵逼，思想品德和历史不是现实中的吗？为什么文学作品中还需要思想品德与历史？

我认为一个文学作品的精神纲领就是思想品德与历史，你今天写下的故事，那叫思想品德，你过去写下的故事，那叫历史，你的思想品德必须要符合你的历史，你的历史要和思想品德有关联。

作品中，任何重大事件都是因为有了思想品德，所以才有了历史，因为有了这个思想品德，所以作者我才知道她的历史应该是怎么样的，他这个民族的精神是啥样的。所以一切故事的发展都是围绕着这个精神来体现的。

就像目前已经基本上写成的系列中的两大主体，银河帝国与王国，他们的意识形态是完全不一样的，银河帝国中的勾心斗角，在王国中几乎是不存在的。e王国治国宗旨是，对人民负责，对自己负责，他的政治中心就是法律，依法治国，法律相对健全，对每个人有约束，对每一个人有保护。银河帝国主要是靠人情，在一些篇章中也能看到，法治与人情之间的冲突。精神推动思想品德的发展，思想品德的发展又写成了历史。

总的来说，一个中，它的主要精神就是这部的哲学，精神的总纲领，依照这部的精神，写在当下的是当下的思想品德，作者每一天的思考，代表了故事的思想品德发展，所有的故事连起来就成了一部虚拟的历史。

有思想品德和历史的是活灵活现的，一部没有精神，没有情节的发展，能写出来的都是人才！

英文版

eeing this toic, e must have a face of ignorance, ideological and moral character and history is not in reality? hy do you need moral character and history in literary orks?

think the siritual rogram of a literary novel is ideological character and history. he story you rite today is called ideological morality, the story you rote in the ast, it is called history, your ideological and moral character must be in line ith your history, and your history must be rted to ideological and moral character.

n the novel, any major event is because of ideological and moral character, so there is history, because of this ideological and moral character, so the author kno hat her history should be, hat his national sirit is. herefore, the develoment of all stories is reflected around this sirit.

ust like the to subjects in the series novels that have been basically ritten at resent, the ctic mire and the ingdom, their ideology isletely different, and the collusion in the ctic mire almost does not exist in the ingdom. he urose of governing the country in the e ingdom is to be resonsible to the eole and to himself. is olitical center is the&nbs, the rule of&nbs is rtively sound, the&nbs is binding on everyone, and the rotection of everyone. he ctic mire mainly relies on human feelings, and the conflict beteen the rule of&nbs and human feelings can also be
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